On Thursday evening in Hong Kong, Christie’s modern and contemporary art evening sale brought in a combined HK$1.4 billion ($184 million) with premium, hammering just above at the expected low estimate of HK$1.2 billion ($150 million) Christie’s had designated ahead of the sale.
Despite Hong Kong and Shanghai having just emerged from another strict lockdown period, the sales performed well, with a relatively high 93 percent sell-through rate and records set for 11 artists. Among the artists were established figures like Hernan Bas and Zhang Enli, as well as ones whose markets are still growing, like Ayako Rokkaku and Rhee Seundja.
Across the 59 lots offered, 55 of them sold. Just four lots were withdrawn from the sales’ lineup. Eighteen lots, or around 30 percent of the sales’ offerings, were backed with financial guarantees.
Christie’s Hong Kong–based auctioneers Georgina Hilton and Liang-Lin Chen, both of whom are relatively new to the rostrum, oversaw the two-part sale. The latter made her debut as an auctioneer on Thursday following Christie’s Asia chairman Elaine Kwok’s departure for Hauser & Wirth this past February.
High-value works by Pablo Picasso and Zao Wou-Ki anchored the night’s sale series. Both were on sale as part of an ongoing push to offer major lots by historical blue-chip historical Western artists alongside Asian ones to well-off collectors in the Asia-Pacific region.
Among the top lots in the sale was Picasso’s 1969 canvas Buste d’homme dans un cadre, which depicts a matador figure that populated some of the Spanish painter’s later works. It was once owned by the late actor Sean Connery, who is best known for playing James Bond.
After ringing in five bids, the painting hammered at its expectation of HK$150 million ($19 million), going for a final price of $22 million to a bidder on the phone with Christie’s Hong Kong–based contemporary art specialist Cristian Albu. The result makes it the second-most expensive work by Picasso to sell at auction in the region, though the sum is a far cry from Picasso’s $179.4 million worldwide auction record.
Zao, whose works tend to perform particularly well at Hong Kong auctions, was represented at the Christie’s sale by 29.09.64. Coming to sale with a guarantee, it dates to a part of Zao’s career known as his Hurricane Period, the time between 1959 and 1972 when he produced what are considered to be his finest works. The abstraction sold for HK$278 million ($35.4 million), nearly doubling in value since its last sale, in 2017 at Christie’s, where it made a then-record HK$152.9 million ($19.6 million).
Yoshitomo Nara’s Wish World Peace (2014), featuring one of the Japanese artist’s signature wide-eyed protagonists, also returned to auction at this week’s Christie’s sale, where it sold for HK$97 million ($12.4 million). When it was last sold, in 2016, it went for $2.3 million. Now, it has nearly quadrupled in value.
Rising Stars Best Expectations
Records fell for market darlings at the Christie’s sale, but it was a Scott Kahn painting that stole the show.
The painting BIG HOUSE, HOMAGE TO AMERICA (2012) by the 76-year-old American artist, who has had a recent comeback, sold for HKD $11.3 million ($13.2 million), 11 times its HK $1 million pre-sale estimate. The painting depicts a Federal-style mansion backlit by a setting sun. The result set a new record for the artist, who is the subject of a current show at Almine Rech.
Adrian Ghenie’s abstract painting Pie Fight Interior 12 (2014), the largest work from the eponymous series, sold for HK$81 million ($10.3 million), hammering above the HK$68 million ($8.8 million) estimate. The Ghenie painting re-set the artist’s record for the second time this month, outpacing the $9.29 million benchmark that had been minted at Christie’s New York just last week.
Hernan Bas’s The Overly Prepped Boy (or The Approaching Glacier), from 2012, bears a striking resemblance to the Ghenie painting—and likewise performed well. It sold for HK$9.8 million ($1.2 million), against an estimate of HK $4.8 million ($611,500).
Five bidders competed for a painting by the Los Angeles–based Hilary Pecis, whose market has rapidly grown in the past year. At Christie’s, her 2020 painting Big Boy (2020) exceeded its high estimate of HK$2 million ($255,000), going for a final price of HK$9.2 million ($1.1 million).