Stanley Whitney on Finding His Way Through Erasure in the White Art World and Competition Among Black Artists
Stanley Whitney, installation at Gagosian Rome. Photo: Matteo D’Eletto, M3 Studio. Courtesy Gagosian and the artist. You finished the school and in ’68 you finally went to New York, which was very different from now. The art bar scene was still alive. Yeah, there were still the art bars. I was in Max’s Kansas City, Fanelli’s; in ’68 there was still kind of a Bohemian ...
