Eva Hesse’s Newly Restored “Expanded Expansion” Encapsulates her Contributions to Minimalism – ARTnews.com
Delighting in internal contradiction and formal repetition—often to absurd or exaggerated effect—Eva Hesse softened Minimalism’s hard edges with pliable industrial materials that evinced her touch. In 1967, after attending a series of Experiments in Art and Technology (E.A.T.) workshops, the artist began to sculpt with rubber latex; the following year, assisted by a technician, she added fiberglass to her repertoire. The archival instability of ...
